A creative
design studio
specialised in
filmmaking.

START A PROJECT ➝

A creative
design studio
specialised in
filmmaking.

START A PROJECT ➝

ABOUT

ABOUT

Reelsick is a Berlin-based creative design studio that specialises in the film industry and film focused graphic, motion and web design.

Art direction for a short film

Xenoial Case Study

Pitch Materials

Poster Design

Key Visuals

Art direction for a feature film

The Snare Case Study

Pitch Materials

Poster Design

Key Visuals

Art direction for a feature film

Sturmkopf Case Study

Pitch Materials

Poster Design

Key Visuals

Art direction for a sci-fiction horror feature film

There Is No Antimeme Division Case Study

Pitch Materials

Poster Design

Key Visuals

SERVICES

SERVICES

How can

we help

you?

How can

we help

you?

How can we help you?

We read the script before we open Photoshop. We watch the references, study the tone, sit with the silence between scenes. Every project begins with understanding — not a brief, not a budget, but the film itself. That immersion is not a step in our process. It is the process.


Most design studios work around film. We work from inside it. That distinction changes everything — what we make, how we make it, and why it looks the way it does.

We read the script before we open Photoshop. We watch the references, study the tone, sit with the silence between scenes. Every project begins with understanding — not a brief, not a budget, but the film itself. That immersion is not a step in our process. It is the process.


Most design studios work around film. We work from inside it. That distinction changes everything — what we make, how we make it, and why it looks the way it does.

We read the script before we open Photoshop. We watch the references, study the tone, sit with the silence between scenes. Every project begins with understanding — not a brief, not a budget, but the film itself. That immersion is not a step in our process. It is the process.


Most design studios work around film. We work from inside it. That distinction changes everything — what we make, how we make it, and why it looks the way it does.

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KEY ART & PRINT

KEY ART & PRINT

Posters, Lookbooks

& Title Design

Posters, Lookbooks

& Title Design

Posters, Lookbooks

& Title Design

We extract the visual soul of your film from the script up.

Every frame considered, every decision deliberate.

We extract the visual soul of your film from the script up.

Every frame considered, every decision deliberate.

IDENTITY & BRANDING

IDENTITY & BRANDING

Logos, Visual Systems & Filmmaker Branding

Logos, Visual Systems & Filmmaker Branding

Logos, Visual Systems & Filmmaker Branding

A lasting identity for films, filmmakers, festivals and studios.

Built to endure beyond the release.

A lasting identity for films, filmmakers, festivals and studios.

Built to endure beyond the release.

PITCH & PRODUCTION

PITCH & PRODUCTION

Lookbooks, Visual

Bibles & Pitch Decks

Lookbooks, Visual

Bibles & Pitch Decks

Lookbooks, Visual

Bibles & Pitch Decks

The materials that get your film made. We shape your vision

into something a room full of investors can feel.

CAMPAIGN & STRATEGY

CAMPAIGN & STRATEGY

Marketing, Social Media

& Release Campaigns

Marketing, Social Media

& Release Campaigns

Marketing, Social Media

& Release Campaigns

We build the audience your film deserves. Strategic,

considered, rooted in the film itself - never generic.

DIGITAL & WEB

DIGITAL & WEB

Websites, Interactive

Experiences & Press Kits

Websites, Interactive

Experiences & Press Kits

Websites, Interactive

Experiences & Press Kits

A digital presence as carefully crafted as the film itself.

Designed to immerse, engage and convert.

PROCESS

PROCESS

Our process is as considered as our work. Script reads and working with directors isn't just another step — it's the whole experience.

Our process is as considered as our work. Script reads and working with directors isn't just another step — it's the whole experience.

Our process is as considered as our work. Script reads and working with directors isn't just another step — it's the whole experience.

STEP ONE

STEP ONE

Discovery

Discovery

We start with the script, not the brief. Before anything is sketched or opened on screen, we read, we watch, we ask questions. We learn the tone, the world, the feeling the film is reaching for.

We start with the script, not the brief. Before anything is sketched or opened on screen, we read, we watch, we ask questions. We learn the tone, the world, the feeling the film is reaching for.

We start with the script, not the brief. Before anything is sketched or opened on screen, we read, we watch, we ask questions. We learn the tone, the world, the feeling the film is reaching for.

STEP TWO

STEP TWO

Ideation

Ideation

We start with the script, not the brief. Before anything is sketched or opened on screen, we read, we watch, we ask questions. We learn the tone, the world, the feeling the film is reaching for.

We start with the script, not the brief. Before anything is sketched or opened on screen, we read, we watch, we ask questions. We learn the tone, the world, the feeling the film is reaching for.

We start with the script, not the brief. Before anything is sketched or opened on screen, we read, we watch, we ask questions. We learn the tone, the world, the feeling the film is reaching for.

STEP THREE

STEP THREE

Delivery

Delivery

Considered, purposeful and built to last. What leaves our hands should feel like it could only have been made for this film, and no other. That's the standard we hold every project to.

Considered, purposeful and built to last. What leaves our hands should feel like it could only have been made for this film, and no other. That's the standard we hold every project to.

Considered, purposeful and built to last. What leaves our hands should feel like it could only have been made for this film, and no other. That's the standard we hold every project to.

reelsick.